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INITIATIVES

Diversity and Inclusion Strategy

The SAFC is committed to improving diversity and inclusion in the South Australian screen sector, championing diverse storytellers and authentic representation in screen productions.

Scroll through the page to find out more about how the SAFC supports diversity and inclusion in screen.

Main image: Practitioners working in the Adelaide Studios courtyard, photo by Naomi Jellicoe

The front cover of the SAFC's Diversity and Inclusion Strategy

Our strategy

The SAFC’s Diversity and Inclusion Strategy 2022-2032 breaks new ground nationally by setting out comprehensive, quantifiable 10-year targets for the representation of diversity both on and off screen in the South Australian screen sector that are reflective of the state’s population.

The aim of the strategy is to grow and support a screen industry which reflects the diversity and vibrancy of the South Australian community, which will require a long-term commitment to systemic change.

The SAFC is committed to engaging with communities in a process of two-way learning. We welcome feedback on this strategy at any time via our Feedback form.

Kirsty Martinsen painting in Limited Surrender (2019)

More opportunities for diverse practitioners

In 2026 guidelines have been strengthened across SAFC programs to boost diverse South Australian screen practitioners, including new development funding opportunities for practitioners from under-represented groups such as the reshaped Diversity Development Grant.

Image: Limited Surrender (2018)

Still from Lesbian Space Princess (2024)

Diversity Data 2023-24

The SAFC is pleased to be making significant steps toward supporting diversity and inclusion with our Diversity and Inclusion Strategy 2022-2032. The strategy sets out 10-year targets for screen sector diversity, reflecting South Australian population demographics.

In the second year of the strategy targets were met or exceeded across half of all diversity categories being tracked, with half of all categories also showing increases from 2022-23. See the data below and in our Annual Report.

South Australian Above-the-Line key creatives funded across the SAFC’s production and development funding

Above-the-Line key creatives are Game Developers, Writers, Directors, Producers and Executive Producers. Note “Female” includes female writers and directors only – female producers are not under-represented for production or development funding.

PRODUCTION FUNDING

 

2032 Target

2022-23

2023-24

First Nations

5%

0%

2%

Female*

50%

35%

23%

LGBTQIA+

8%

17.1%

9%

Regional or Remote

10%

0%

6%

CALD

25%

14.3%

2%

Deaf or disabled

10%

2.9%

2%

DEVELOPMENT FUNDING

 

2032 Target

2022-23

2023-24

First Nations

5%

15.7%

8%

Female*

50%

43.2%

71%

LGBTQIA+

8%

10%

8%

Regional or Remote

10%

5.7%

10%

CALD

25%

7.1%

24%

Deaf or disabled

10%

0%

5%

South Australian Below-the-Line crew employed on SAFC funded productions

Below-the-Line crew encompasses craft and technical roles.

 

2032 Target

2023-24

First Nations

5%

0%

Female

50%

51%

LGBTQIA+

14%

27%

Regional or remote

10%

n/a

CALD

15%

44%

Deaf or disabled

8%

10%

Image: Lesbian Space Princess (2024)

SDIN's The Everyone Project. Image: Deafinition (2019)

The Everyone Project

The SAFC supports the implementation of The Everyone Project, a new initiative to help Australian screen industry companies and organisations track, boost and foster diversity in their screen productions. The Everyone Project is an easy-to-use web app that invites people to self-identify on a set of characteristics around the diversity of the talent and crews working in their current screen production projects.

Image: Paul Vagnarelli in Deafinition (2019)