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South Australian animation production house Anifex is on a roll with its latest short film Sleight of Hand, which has recently been awarded the Bruce Corwin Best Animation Award at the prestigious Santa Barbara International Film Festival (SBIFF), California.
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Benjamin Illos, a member of the Selection Committee for Quinzaine des Réalisateurs (Directors’ Fortnight), will be visiting Australia in February to view new Australian feature films for possible selection.
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The South Australian Film Corporation welcomes Adelaide Central School of Art to the Glenside Cultural Precinct at Glenside Campus We are confident they'll find their new home as comfortable as we do! Read what Ingrid Kellenbach, CEO of Adelaide Central School of Art
has to say about the move and what it means for the School.
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A Pozible crowdfunding campaign has been set up for These Heather Dreams to reach a goal of $25K to shoot and post the Australian end to reach rough cut. They have until 9 February to get there and need your help!
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The 2nd AACTA Awards Luncheon, was held on 28 January 2013 at Sydney’s The Star Event Centre, where the Australian Academy of Cinema and Television Arts (AACTA) announced the first group of winners for the 2nd AACTA Awards.
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Three SA shorts made through MRC initiatives have been shortlisted for this year's Tropfest. They are mockumentary/comedy Agora, supported through the new First Shot initiative and How To Make A Horror Movie and Jumping Championships, both produced as part of the Screenseekers Tropfest Junior Bootcamp.
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The Australian International Documentary Conference (AIDC) team are in full swing busily preparing for this year’s Conference, which takes place in Adelaide from 25 - 28 February.
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Win tickets to the Brazil Film Festival, Carmen by the Paris National Opera and The Impossible.
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So begins the story of The Boy Castaways, which has been shooting in Adelaide at Her Majesty’s theatre throughout December and January; pre-production at Adelaide Studios.
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The Colour of Kerosene is a short film by emerging Adelaide filmmakers, Eleanor Jean Perry (Producer) and Rory Noke (Director) and was funded through the Media Resource Centre and Screen Australia’s Raw Nerve Initiative. Screenwriter, Cameron Raynes, adapted the script from his award-winning short story of the same name.
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